Sitarpedia

Khamaj

Khamaj thaatNight, first halfVadi: GSamvadi: N
Open in Compose

Aroha (ascending)

SGMPDNS'

Avaroha (descending)

S'nDPMGRS

Pakad (characteristic phrase)

n,DMPDMG

Khamaj is the raga that names its thaat, and it shares the same shuddha-Ni-ascending, komal-ni-descending asymmetry that shows up in Desh — both are Khamaj-thaat ragas built around that same directional swap. Where Desh stays closer to sampurna in both directions, Khamaj's ascent is more restrictive: Re is used only sparingly and mostly inside descending vakra phrases, rarely as a plain step on the way up. That lighter, folk-leaning quality has made Khamaj, like Desh, a natural home for thumri and tappa rather than the weightier khayal repertoire, and it's often one of the first ragas students encounter outside the strict boundaries of a formal thaat-defining scale. Traditionally performed later in the evening.

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