Durga
Aroha (ascending)
Avaroha (descending)
Pakad (characteristic phrase)
Durga strips the Bilawal scale down to five notes, dropping Ga and Ni entirely and keeping only Sa, Re, Ma, Pa, and Dha — all shuddha, with the same shape ascending and descending. That simplicity makes it a popular raga for beginners to improvise in, in a similar spirit to Bhupali, though the two aren't interchangeable: Bhupali (Kalyan thaat) keeps Re and Dha but drops Ma and Ni, while Durga does close to the opposite, keeping Ma and dropping Ga. A phrase built around the lower octave — Sa, Re, Dha, Sa — is often cited as one of Durga's most identifying gestures, and Pa is handled carefully, avoided as a resting note in descent so the raga doesn't drift toward the sound of Malhar-family ragas. Traditionally performed late in the evening into the second quarter of the night.
Learn the theory
- The thaat system — how Bilawal and the other nine parent scales work
- Vadi and samvadi — what the pillar notes above actually mean
- Aroha and avaroha — why the ascent and descent above aren't always mirror images