Bhimpalasi Gat in Teental
Pt. Budhaditya Mukherjee
Music: Traditional gat in teental — the source transcription (Radhey Shyam Gupta, Sharada Kala Kendra) does not label this one Masitkhani or Rajakhani specifically, so no more precise attribution is claimed hereKafi thaat — an audav-sampurna raga: komal Ga and komal Ni, with Re and Dha dropped in ascent but present in descent. Ma is vadi and Sa is samvadi, matching this site's own bhimpalasi.json raga entry. Cross-checked two ways beyond the notation source itself: notesandsargam.com's Raag Bhimpalasi page gives the same aroha/avroha/pakad, and a 'Learn Sitar With Anurag' lesson description for this raga independently states the same jati (Audhav-Sampurna), vadi/samvadi (Madhyam/Shadj) and thaat (Kafi).Raga: Bhimpalasi
Open in ComposeRelated lessons:Gat: Masitkhani and Razakhani,Teentaal and the Language of Rhythm
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